When do readers expect fiction to be “true”? OK that’s a
contradiction in terms. Fiction is about imaginary events and people; invented
or fabricated as opposed to fact. So why do we sometimes want to hold
writers to account and complain their description of a certain place is
inaccurate or an event does not ring true?
I came to this
subject through Bruce Chatwin’s Songlines,
which I read on first publication in 1986/7. It is not clear which year it
first came out. I enjoyed this novel and admired Chatwin. On the Black Hill ranks as an all time favourite. Set in Wales, it evokes rural farm
life and the small surrounding community. Chatwin amalgamated real places and
people into his storyline but I didn’t think for a moment the story was the
truth, the whole truth and nothing but the truth.
Why then did I
feel such disappointment when I read in an interview with Chatwin at the time
of Songlines’ publication, that he had never visited Australia. In the novel he
describes a trip through the Australian Outback in which he researches Aboriginal
song and its influence on nomadic travel. His convincing descriptions led me to
believe he was writing from personal experience. Yet he was actually writing
from thorough research. Shouldn’t I have been happy that his research was so
impressive and detailed it gave flight to the first half of the book.
Over many years
it kept niggling whenever I saw the book on my shelves. How could someone write
with authenticity about the Outback and Aboriginal culture, without having
first-hand experience. Well, writers do that all the time. But perhaps
because Chatwin was using Aboriginal culture in his novel the idea he was
working purely from research didn’t sit well with me. In 1987, post
publication, Chatwin seems to have made a hastily arranged visit to the area
north of Adelaide, but so many years after the event, it is hard to verify the
actual facts. Does it matter anyway? On reflection, I think I was taking the
book too personally. Here was an outsider writing about my country. Just like
friends and family who recognise elements of themselves in novels and take
umbrage at perceived inaccuracies, I felt there must be something false in Chatwin’s
work.
The truth is, out
of necessity and creative drive, writers invent, imagine and create. Sadly, not
many of us are that interesting, nor do we enjoy lots of interesting encounters
or experiences. Many are saddled with dull personalities lacking in intellect
etc. You get the picture. So in order to present interesting characters and
plots, writers combine a snip from here and a snip from there, shaping their
stories through the real and the imagined. Readers need only be concerned if
something untrue is intentionally represented as true. It’s fine to fabricate,
as long as it’s fiction. Though there have been plenty of non-fiction
fabrications too.
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