I met the Farangi Girl today. What a delight
she is. Engaging, personable and full of vitality, you’d never guess she was
the product of a tumultuous upbringing in pre-revolutionary Iran.
Speaking with knowledge, insight and
affection for a country most of us know little about, Dartnell conveys an
exotic aura of handsome British father, glamorous American mother and unconventional
Iranian upbringing.
Ashley Dartnell’s autobiographical, Farangi Girl, is a deeply
personal account of her life and that of her parents and siblings in a foreign land, Farangi being Farsi for foreign. Filled with intimate
details of the mother-daughter relationship, bankruptcy, prison and poverty, affairs
and neglect, you can’t help wonder how these children emerged from such a childhood
to grow up and make successful lives. Their experiences clearly made them
strong and Ashley, always trying to prove herself, went on to graduate from Bryn
Mawr College, to gain an MBA from Harvard Business School and an MA in Creative
and Life Writing from Goldsmiths University.
Ashley with her glamorous but neglectful mother |
No one outside the circle really knows
what goes on within a family. So the exposure of her and her brothers’
experiences and the descriptions of family dynamics make heart-rending reading
for outsiders, and surely for her family too. When asked how her family reacted
to her book, she is candid. At first there were objections as painful memories
were raked over, but eventually acceptance of the writer’s desire to write won
out and Ashley published her book.
So how do writers deal with the delicate
issue of recounting experiences shared within a family? Do you have a right to
use private details of cherished memories or relate events that have long been
buried and forgotten for good reason? Disclosure of private facts is tricky territory
and needs to be handled carefully and thoughtfully if it is not to end in
tears, recriminations or legal issues.
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